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Isaac Asimov (/ˈæzɪmɒv/;[b] c. January 2,[a] 1920 – April 6, 1992) was an American writer and professor of biochemistry at Boston University. He was known for his works of science fiction and popular science. Asimov was a prolific writer, and wrote or edited more than 500 books. He also wrote an estimated 90,000 letters and postcards.[c]
Asimov wrote hard science fiction. Along with Robert A. Heinlein and Arthur C. Clarke, Asimov was considered one of the "Big Three" science fiction writers during his lifetime.[2] Asimov's most famous work is the Foundation series,[3] the first three books of which won the one-time Hugo Award for "Best All-Time Series" in 1966.[4] His other major series are the Galactic Empire series and the Robot series. The Galactic Empire novels are set in the much earlier history of the same fictional universe as the Foundation series. Later, with Foundation and Earth (1986), he linked this distant future to the Robot stories, creating a unified "future history" for his stories much like those pioneered by Robert A. Heinlein and previously produced by Cordwainer Smith and Poul Anderson.[5] He also wrote over 380 short stories, including the social science fiction novelette "Nightfall," which in 1964 was voted the best short science fiction story of all time by the Science Fiction Writers of America. Asimov wrote the Lucky Starr series of juvenile science-fiction novels using the pen name Paul French.[6]
Asimov also wrote mysteries and fantasy, as well as much nonfiction. Most of his popular science books explain concepts in a historical way, going as far back as possible to a time when the science in question was at its simplest stage. Examples include Guide to Science, the three-volume set Understanding Physics, and Asimov's Chronology of Science and Discovery. He wrote on numerous other scientific and non-scientific topics, such as chemistry, astronomy, mathematics, history, biblical exegesis, and literary criticism.
jonesthecurl wrote:I know you're all waiting for this: Asimov was a toilet-head.
Quantity creates quality:
The best hygiene for beginning writers or intermediate writers is to write a hell of a lot of short stories. If you can write one short story a week—it doesn’t matter what the quality is to start, but at least you’re practicing, and at the end of the year you have 52 short stories, and I defy you to write 52 bad ones. Can’t be done. At the end of 30 weeks or 40 weeks or at the end of the year, all of a sudden a story will come that’s just wonderful.
-from “Telling the Truth,” the keynote address of The Sixth Annual Writer’s Symposium by the Sea, sponsored by Point Loma Nazarene University, 2001
Get to the big truth first:
A novel has all kinds of pitfalls because it takes longer and you are around people, and if you’re not careful you will talk about it. The novel is also hard to write in terms of keeping your love intense. It’s hard to stay erect for two hundred days. So, get the big truth first. If you get the big truth, the small truths will accumulate around it. Let them be magnetized to it, drawn to it, and then cling to it.
-from a 2010 interview with Sam Weller, published in The Paris Review
Don’t think too hard:
The intellect is a great danger to creativity . . . because you begin to rationalize and make up reasons for things, instead of staying with your own basic truth—who you are, what you are, what you want to be. I’ve had a sign over my typewriter for over 25 years now, which reads “Don’t think!” You must never think at the typewriter—you must feel. Your intellect is always buried in that feeling anyway.
-from a 1974 interview with James Day
Don’t write towards a moral:
[Trying to write a cautionary story] is fatal. You must never do that. A lot of lousy novels come from people who want to do good. The do-gooder novel. The ecological novel. And if you tell me you’re doing a novel or a film about how a woodsman spares a tree, I’m not going to go see it for a minute.
-from a 1995 interview with Playboy
Writers’ block is just a warning that you’re doing the wrong thing:
What if you have a blockage and you don’t know what to do about it? Well, it’s obvious you’re doing the wrong thing, aren’t you? . . . You’re being warned, aren’t you? Your subconscious is saying I don’t like you anymore. You’re writing about things I don’t give a damn for. . . If you have writers’ block you can cure it this evening by stopping what you’re doing and writing something else. You picked the wrong subject.
-from “Telling the Truth,” the keynote address of The Sixth Annual Writer’s Symposium by the Sea, sponsored by Point Loma Nazarene University, 2001
riskllama wrote:Koolbak wins this thread.
Asimov's career can be divided into several periods. His early career, dominated by science fiction, began with short stories in 1939 and novels in 1950. This lasted until about 1958, all but ending after publication of The Naked Sun (1957). He began publishing nonfiction as co-author of a college-level textbook called Biochemistry and Human Metabolism. Following the brief orbit of the first man-made satellite Sputnik I by the USSR in 1957, his production of nonfiction, particularly popular science books, greatly increased, with a consequent drop in his science fiction output. Over the next quarter century, he wrote only four science fiction novels, while writing over 120 nonfiction books. Starting in 1982, the second half of his science fiction career began with the publication of Foundation's Edge. From then until his death, Asimov published several more sequels and prequels to his existing novels, tying them together in a way he had not originally anticipated, making a unified series. There are, however, many inconsistencies in this unification, especially in his earlier stories.[110] Doubleday and Houghton Mifflin published about 60% of his work as of 1969, Asimov stating that "both represent a father image".[58]
Asimov believed his most enduring contributions would be his "Three Laws of Robotics" and the Foundation series.[111] Furthermore, the Oxford English Dictionary credits his science fiction for introducing into the English language the words "robotics", "positronic" (an entirely fictional technology), and "psychohistory" (which is also used for a different study on historical motivations). Asimov coined the term "robotics" without suspecting that it might be an original word; at the time, he believed it was simply the natural analogue of words such as mechanics and hydraulics, but for robots. Unlike his word "psychohistory", the word "robotics" continues in mainstream technical use with Asimov's original definition. Star Trek: The Next Generation featured androids with "positronic brains" and the first-season episode "Datalore" called the positronic brain "Asimov's dream".[112]
Asimov was so prolific and diverse in his writing that his books span all major categories of the Dewey Decimal Classification except for category 100, philosophy and psychology.[113] Although Asimov did write several essays about psychology,[114] and forewords for the books The Humanist Way (1988) and In Pursuit of Truth (1982),[115] which were classified in the 100s category, none of his own books were classified in that category.[113]
According to UNESCO's Index Translationum database, Asimov is the world's 24th-most-translated author.[116]
Asimov believed his most enduring contributions would be his "Three Laws of Robotics" and the Foundation series.
KoolBak wrote:DoD.... 100% with you.
I read a minimum of 2 books a week, for 48 years now. Mostly scifi / fantasy. To this day my favorite book hands down is Battlefield Earth.
Bradbury gargles tartar sauce.
ConfederateSS wrote:Duk,...you must have read Martian Chronicles...more than once...Thought you read 3 dull books...I will say...The Chronicles...ouch...
jusplay4fun wrote:His early career, dominated by science fiction, began with short stories in 1939 and novels in 1950. This lasted until about 1958, all but ending after publication of The Naked Sun (1957).
jonesthecurl wrote:Asimov believed his most enduring contributions would be his "Three Laws of Robotics" and the Foundation series.
Actually I believe the three laws were suggested to him by John W Campbell.
from Wikipedia.Poe also reinvented science fiction, responding in his writing to emerging technologies such as hot air balloons in "The Balloon-Hoax"
(again from Wikipedia).Ellison repeatedly criticized how Star Trek creator and producer Gene Roddenberry (and others) rewrote his original script for the 1967 episode "The City on the Edge of Forever". Despite his objections, Ellison kept his own name on the shooting script instead of using "Cordwainer Bird" to indicate displeasure
jusplay4fun wrote:You can find many polls and lists; here is one I found:
The Top 10 Greatest Sci-Fi Writers [It has many of the writers already mentioned by many of you...]
10) Frederik Pohl. Frederik Pohl (1919 – 2013) had an illustrious career spanning nearly 75 years. ...
9) Larry Niven. Larry Niven (1938 – ) has won Hugo, Locus, Ditmar, Nebula awards, among others. ...
8. Anne McCaffrey {I know NOTHING about this author....]
7) Ray Bradbury. ...
6) H.G. Wells. ...
5) Frank Herbert. ...
4 Philip K. Dick [not mentioned in this thread, but I have seen his name on similar list YEARS ago...]
3) Arthur C. Clark
2) Robert Heinlein......and...
#1............
1) Isaac Asimov![]()
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https://discoverscifi.com/the-top-10-greatest-sci-fi-writers/
I saw a list of some 25 great science fiction novels and it listed several more MODERN books of science fiction. Included was The Martian (2015), the inspiration for the Matt Damon movie by the same title. So was Michael Crichton's Jurassic Park (1990). Now all such movies are based on Marvel Comic "books". (I was going to offer the URL Link, but it wants to do something weird with cookies, so I did not provide that link.)
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